City of God (2002) 720p YIFY Movie

City of God (2002)

Two boys growing up in a violent neighborhood of Rio de Janeiro take different paths: one becomes a photographer, the other a drug dealer.

IMDB: 8.61 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 1.07G
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 130
  • IMDB Rating: 8.6/10 
  • MPR: Normal
  • Peers/Seeds: 42 / 176

The Synopsis for City of God (2002) 720p

Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970s: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980s: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God.


The Director and Players for City of God (2002) 720p

[Director]Kátia Lund
[Director]Fernando Meirelles
[Role:]Matheus Nachtergaele
[Role:]Leandro Firmino
[Role:]Alexandre Rodrigues


The Reviews for City of God (2002) 720p


Stunning - in every sense of the wordReviewed bytrelloskilos-1Vote: 10/10

Cidade de Deus seems to have a lot of praise on the IMDb boards, and with good reason too. It simply is, in my opinion, one of the best contemporary films ever made.

Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.

The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.

Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.

The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.

The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.

If it's not from Hollywood, it must be goodReviewed byEloriVote: 3/10

There are certain people who have developed a very negative view towards Hollywood movies and U.S. cinema. In this mindset, any movie coming from the US is automatically lambasted, while non-US cinema is praised without merit. City of God, or Cidade de Deus, is one such case. Its serious overvaluing can only be attributed to a cloudy-eyed sentimentalism for the real situation behind the movie without even considering whether the movie itself has value in portraying that situation. And the unfortunate case is, no. Meirelles and Luns' generic directing is completely devoid of feeling and insight, and the actors are merely going through the motions, lacking any emotional impact in the actual proceeding of the screenplay. For these failings, the film collapses into a jiltingly generic mashup of violence and crime, with nothing to tell. There is no shock value, there is no empathy, there are no thoughts evoked. Perhaps this movie has some appeal and bearing to people who are more closely connected to Brazil and the kind of events portrayed, seeing as they can draw from another experience to put some weight into the matter, for this film by itself has none. It takes a special kind of pretentiousness and self-delusion to rate this film highly on its own merits, and the kind of a critic that dares not criticize a film with a sensitive subject. Yet this film desperately needs more of a voice of reason to call it for the empty shell it is.

Slick and Annoying MTV Favela movieReviewed bywebmaster-49Vote: 7/10

This movie proves that foreign directors are perfectly capable of putting out soulless Hollywood crap too. This movie has nothing to say about Brazil, nothing to say about the rise of crime in Rio's shantytowns, and ultimately nothing to say about any of its characters. And to make things even worse, it ruins almost every dramatic scene by applying utterly pointless fastmo/stop sequences, the should-be-banned-forever shakycam, and the super-annoying fastcut MTV style edits that not only suck, but are hopelessly dated. The only people this movie will impress are film-critics and Tarantino-wannabes.

I won't waste your time with the story since you've seen it in about 100 movies before this one. Nothing intrinsically wrong with telling a boys from the hood gangster story, but its just not in and of itself strong enough to carry the movie. Lil'Dice grows up to be a big boss then gets killed. Yawn. Rocket escapes poverty (I guess) by becoming a reporter. Snore. A bunch of other guys get killed before we have any chance to figure out who they are. Zzzzzz.

The music is buried in the background for the most part, and when it takes center stage, it's often stuff like "Kung Fu Fighting" which sounds more like Hollywood shorthand for "the 70s" than any real attempt to capture what favela kids were listening to back then. I swear it feels like this movie was scored by an American right down to the rustic types playing their little guitars on the street.

The acting is fine but can't escape the one-dimensional writing. The Tender Trio are amiable thugs whose roles in this movie are completely superfluous. Lil Dice is 100% bad, Rocket is 100% good, and Benny is so underwritten that we don't really care what, if anything, motivates him. The one character who might have acquired some depth (and around whom the entire movie should have been built) is Knockout Ned, a bus driver who turns into a murderous gangster. He, more than anyone else in this movie, embodies everything that went wrong in the favelas in the 80s--a deadly combination of ex-military and drug gangsters, with the military guys supplying the connections for heavy firearms, the organization to mold the drug warlords armies, and the training to shoot to kill rather than simply spray bullets around. Knockout Ned is portrayed as a "hero" of course, even though so many of his kind were anything but heros, taking advantage (and often creating) the total anarchy of the favelas in order to grow rich and powerful.

The cinematography often makes this film all but unwatchable. Fast cuts, speedups, filter shots, the abysmal strobe-light sequence on the dancefloor. All of this is crap and totally kills every scene where its employed. The one great scene in this movie (where Lil Dice shoots one of the "runts" in the foot, then forces another young kid to decide which of the two "runts" to kill) is devastatingly effective because it doesn't use any crap film tricks at all. It's a tense, realistically portrayed scene shot at medium distance which manages in a few minutes to show just how the mindlessly violent generation of the 90s came into being. If the whole movie had been like this, it would have earned all the critical praise heaped on it.

But of course, the whole movie isn't like this because the director is too busy showing off his technique to worry much about how the scenes connect. Copying Tarantino's style of putting little titles up for each segment, he seems to utterly forget what story he's telling, jumping around from character to character, and even short flashback loops like the whole "apartment" sequence that he seems to think build dramatic tension whereas all they really do is shout "hey, look at how cool this narrative technique is!" It might be cooler if we hadn't seen the same "Lil Dice takes over another dealer's turf" sequences so many other places. And all the praise about how "realistic" this is must be coming from critics who think Quentin's films are realistic because almost all the violence is as perfunctory and fake as any movie coming out of Hollywood these days. In the end, this feels as plastic and stylized as any gangster rock video, and carries the same emotional weight.

In short, a real disappointment. Essentially a tired American gangsters from the hood movie shot with a Brazilian setting.

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