Get Out (2017) 1080p YIFY Movie

Get Out (2017) 1080p

A young African-American man visits his Caucasian girlfriend's mysterious family estate.

IMDB: 8.098 Likes

  • Genre: Horror | Mystery
  • Quality: 1080p
  • Size: 1.58G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 103
  • IMDB Rating: 8.0/10 
  • MPR: Normal
  • Peers/Seeds: 101 / 1719

The Synopsis for Get Out (2017) 1080p

Chris and his girlfriend Rose go upstate to visit her parent's for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

The Director and Players for Get Out (2017) 1080p

[Role:]Allison Williams
[Role:]Daniel Kaluuya
[Role:Director]Jordan Peele
[Role:]Bradley Whitford

The Reviews for Get Out (2017) 1080p

Reviewed byAsif Khan (asifahsankhan)Vote: 8/10/10

"Get Out" takes the initial premise of "Guess Who's Coming to Dinner"and then twists it with "The Stepford Wives" to create a compelling,thoughtful critique of white power. Peele, of course, isn't arguingthat white people are out to hypnotise black people. Instead, Get Outis a stinging criticism of the white liberalism that carries itself asempathetic towards blacks, but that empathy only extends as far aswhite control. Peele isn't taking aim at Neo- Nazis and other whiteswho would angrily shout the n-word. They're a lost cause. Instead, he'slooking at those who profess their lack of racism, but only do so ifthey can maintain their dominance over black people in the mostinsidious manner possible. As Chris pointedly notes to Rose at partyfull of white people, "Has anyone here ever met a black person thatdidn't work for them?"

The film is genuinely creepy. Instead of cheesy music and grotesquetorture porn, Peele relies on the unknown to draw you in. What ishappening here? The plot builds like a slow boil to a terror explosion.Clues to the outcome are evident from the first second, but it takesthe entire run-time to pull everything together. It's such a joy to besurprised by a horror outcome. I don't think I've seen a genre filmthis inventive since Cabin in the Woods. The resolve is trulysatisfying.

My favourite aspect of Get Out is the intelligence of the characters.There's a lot to like, but beyond the deeper themes; the charactersaren't morons. I cringe every time I watch a genre film and thecharacters don't behave logically. Chris and Rose are not fools.Something is amiss, enough to warrant wariness. Anyone in thissituation would be unnerved as events play out. Credit again to Peelefor writing characters that act rationally.

"Get Out" doesn't replace the scares with humour – Peele is too smartto do that. Instead, he balances the fear with laughs and then laceseverything with social comment and that unsettling tone. The fact thatChris is so eminently likable just underlines it. It all adds up tosomething of a treat – for everybody, not just horror fans.

What's happening here? This doesn't feel right!Reviewed byCoventryVote: 7/10

I've been a fan of horror movies and thrillers ever since I figured out how the TV worked. Always preferred older movies but also always kept my eyes and mind open for new instant classics. The problem is that so very few REALLY good horror movies come out nowadays, and when I read exaggeratedly praising and positive reviews about an alleged new masterpiece, I automatically become skeptical. Jordan Peele's "Get Out" was such an example. Literally everybody, acclaimed critics as well as ordinary mainstream audiences, was mad-raving enthusiast about "Get Out" and now it's even nominated for several Oscars, including best picture and best screenplay! I honestly must admit I never expected that a film like this would ever become nominated for the most important categories in such a hypocrite and predetermined contest for the elite. It'll never win, of course, but still.

It must be underlined that "Get Out" isn't groundbreakingly original, extremely intelligent or a genuine masterwork of scripting. There are, however, many things that the film - and the debuting director Jordan Peele in particular - does exceptionally well. First and foremost, the atmosphere! Although not featuring any graphic violence for the largest part of the film, the atmosphere is continuously ominous and hinting at something dreadful that can occur at any given moment. There's only a very selected number of classic horror films that uphold the "there's something terribly wrong here" sentiment for so long, and it provides "Get Out" with the same unique vibe as pure classics like "Seconds", "Rosemary's Baby", "Invasion of the Body Snatchers" and "The Stepford Wives" (the 1975 original, of course, not the idiotic Nicole Kidman remake). Secondly, you just cannot surpass Peele's truly unsurpassable approach of racial differences! Without explicitly mentioning about racial tension or introducing obviously racist characters, Peele shows that racial segregation is irreversibly integrated in our modern day social culture. This aspect of "Get Out" is indescribably unique, in fact. The harder the protagonists try to profile themselves as anti-racist, the more uncomfortable you get with them. Equally brilliant in this domain are the setting, costumes and tiny little details. The word "slavery" is never said out loud, yet look at the Armitage mansion, the style of their household staff and the crucial role of cotton at a certain point. Thirdly, and this is a joint effort with the ensemble cast, the performances in "Get Out" are extremely high standard. Atypical role or not, Daniel Kaluuya truly deserves the Best Actor nomination for his depiction of the insecure, skeptical and visibly petrified Chris Washington.

What's the story about, then? Well, I'm convinced that "Get Out" is one of those films for which they invented the rule of: "the less you know the better". Personally, I think that even rudimentary elements like the title or the cast list already reveal too much. If I was Jordan Peele, I would have named the film "What is happening here?" or "This doesn't feel right", but of course I respect their choice from a marketing point of view. I'm well aware of the fact that most reviews provide at least a brief synopsis or hint at vital twists in the third act, but my advice is to know as little as possible before you watch. I can't finish the review without mentioning that "Get Out" isn't flawless. Notably the comic relief aspect, provided mainly by Lil Rel Howery , isn't the least bit impressive and even somewhat misplaced. In a way, Jordan Peele is guilty of racial stereotyping himself with this, although I reckon it was a deliberate choice. He's a comedian, after all.

A conservative reviewReviewed byPaul HaakeVote: 8/10

I gave this movie 8 stars, which for me is high praise indeed. On my first watch, I would have given it 2. That said, now that I have viewed this title several times I can truly appreciate what Jordan Peele is going for. It's not just a "black and white" film, and if you think it is - you miss the point.

Peele captures much of the ridiculousness of modern American society while also playing to those that think everything boils down to race. Is this is an oscar contender (little o intended) - who cares? All the film awards do is help already narcissistic overpaid morons celebrate themselves.

Does this film look at some serious stereotypes while making fun of so many of things we preoccupy ourselves with? Yes! To appreciate the humor and "thrill" of the film you must watch it more than once. Again, I consider myself a very conservative individual but still appreciate the humor to be found throughout this film.

If you didn't like it the first time, try it again - you might find some very clever things you missed. I have actually watched it about a half dozen times and find something new in every viewing.

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