Renegades (1989) 720p YIFY Movie

Renegades (1989)

An undercover cop forms an alliance with a Native American to help him hunt down the criminals who stole an ancient Lakota tribal lance.

IMDB: 5.33 Likes

  • Genre: Action | Crime
  • Quality: 720p
  • Size: 1.27G
  • Resolution: 1280x694 / 23.976 (23976/1000) FPSfps
  • Language: English
  • Run Time: 106
  • IMDB Rating: 5.3/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Renegades (1989) 720p

Buster McHenry works as an undercover agent for the local police. Currently he investigates on police corruption and is in big trouble. His task makes him break the law, he participates in a robbery. Things really screw up as not only two men are shot, but also an ancient indian spear is stolen and Buster is wounded. Hank Storm, a young indian, is now after the spear and Buster is after his criminal 'comrades'. Both of them are outsiders in their way, but now they have the same target.


The Director and Players for Renegades (1989) 720p

[Director]Jack Sholder
[Role:]Jami Gertz
[Role:]Kiefer Sutherland
[Role:]Lou Diamond Phillips


The Reviews for Renegades (1989) 720p


Chasing The Sacred Lakota LanceReviewed bybkoganbingVote: 7/10

The only reason I give Renegades as high a rating as I do is because I'm a great big fan of the leads Lou Diamond Phillips and Kiefer Sutherland. Rarely have I seen a major theatrical motion picture resting on a supposition as outrageous as this one.

Kiefer Sutherland is a Philadelphia detective gone undercover on his own to find a corrupt cop. He's infiltrated a mob headed by a very cold blooded hood played by Robert Knepper who's planning a jewel heist.

The heist goes off, but with some unforeseen complications. Such as the fact that Knepper while fleeing from the cops in hot pursuit, goes through the Philadelphia American Indian Museum and on impulse steals a sacred lance of the Lakota Sioux tribe. He also shoots Gary Farmer who tries to stop him and cold conks Sutherland who tries the same.

Phillips is Farmer's brother and he and Sutherland form an alliance of convenience to accomplish their separate goals. But I have to say that the whole idea here is just plain preposterous.

Phillips is a stoic Indian figure, he's carrying over his performance from Young Guns where he and Sutherland met and became lifetime friends. Sutherland's performance is a combination of Clint Eastwood as Dirty Harry and Steve McQueen from Bullitt.

For action fans there are enough gun battles and one great car chase as in Bullitt through the streets of Philadelphia/Toronto as some of Renegades was filmed there. As Sutherland and Phillips are good friends in real life as well the spirit of camaraderie does come through. Jami Gertz as Knepper's girl friend has a very nice role as basically an old time gangster moll.

Yet the whole idea behind Renegades is just plain preposterous and unless you're a fan of either one or both the leads you're going to laugh yourself silly.

A uniquely moody 1980s cop thrillerReviewed bydaneeloVote: 9/10

I first happened on this film on a German satellite TV while channel-flipping one late night over two decades ago. It was one of the early scenes of conflict between the main characters (Kiefer Sutherland and Lou Diamond Phillips). The film instantly sucked me in and I watched to the end well past midnight. With constants re-runs on TV, I must have watched it again at least half a dozen times. Now that Netflix has it, I watched Renegades again, and it still didn't get old for me. Beyond the chemistry between its two leads, I want to emphasize a couple of aspects of the film which stand out to me.

One is the strangely gloomy tone for a Hollywood film. This starts with the setting in Philadelphia's decaying urban jungle, continues with the score (no bombastic 1980s pop-rock but a sad Native American pipe) and finishes with an ending that, although a victory for our two leads, is weighted down by a sense of great loss for both of them.

What I also like are the subtle deviations from the standard elements of the genre. In most 1980s Hollywood cop films, policemen are successful by breaking the rules, especially when it comes to torturing and killing suspects, but they never make an error in judgment. But in this film, Kiefer Sutherland's maverick cop is sometimes a real a**hole just to relieve tension, his undercover work leads to the death of innocents, and confronts the villain's girlfriend under a mistaken notion of her level of involvement. Speaking of the villain's girlfriend, I can't write much about Jamie Gertz's role without spoilers, but suffice to say she makes an impression even though the film completely omits the development of a romantic story-line.

What I found particularly interesting in this latest re-watch was the non-black-and-white bad cop character (Bill Smitrovich), a corrupt person who still has some conscience left. His constant inner conflict was skilfully emphasized by the scriptwriter and the actors by having a second corrupt cop character as contrast, with the pair hating each other's guts.

A final deviation from 1980s common tropes is the main villain. Robert Knepper plays a gangster apparently belonging to the less common type of the upper-class bad apple. But, instead of projecting flair like Sean Connery in The Great Train Robbery or Alan Rickman in Die Hard, Knepper expertly brings out the character's notion of entitlement: it's in the scene that puts Lou Diamond Phillips's character on a war path, in his treatment of his henchmen, and especially in his displeasure at failing to control Smitrovich's bad cop.

Finally, I was surprised to find that the film has such a low IMDb score and many negative reviews, almost exclusively from the USA. It's like other reviewers saw a different movie. I accept tastes differ, but I can't chase away the thought that at east part of it (especially the contemporary reception) was down to unwillingness to confront the Native American themes, from the poverty shown in the opening scene through the racism Lou Diamond Phillips's character confronts as an aside to the history reminder at the end.

"I'm a police officer. I was working undercover."Reviewed bymylimboVote: 6/10

After appearing in "Young Guns" a year earlier, Kiefer Sutherland and Lou Diamond Phillips would reunite again in this very clear-cut and wry, but well executed chase action thriller by director Jack Sholder (The Hidden '87'). Quite a cosy formula with no surprises, but the taut action when it erupts is blistering (from the frenetic shoot-outs to the intense chase scenes and the death by flaming spear). While Sutherland (reckless) and Phillips (spiritual) make a fitting combination, where the two go after the same criminal (for different reasons) and from that learn a mutual respect for each other, despite a bumpy first meeting. Robert Knepper malevolently hams it up in the villain role with cold glee. An undercover maverick cop is left for dead after a diamond heist, but is saved by a Lakota Indian who needs him alive as a sacred lance of his people was stolen by one of the robbers who also shot his brother. So now the two team up, unwillingly at first, but differences aside they realise they are after the same man. Enjoyably no-nonsense, filled with high energy and snappy dialogues as we watch how two opposites attract. The story is well meaning in its context; sharing some light on the Lakota Indians and the typical angle of honour/revenge. Traditional, but unassertive. Also showing up is Jami Gertz in nothing more than a minor sense. Schematically earnest late 80s action thriller.

"I'm a punk and you're a dirty cop."

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